The Pleasures of the Damned Page 2
   I saw it crawl under a yellow car
   with the bird
   to bargain it to another place.
   summer was over.
   something’s knocking at the door
   a great white light dawns across the
   continent
   as we fawn over our failed traditions,
   often kill to preserve them
   or sometimes kill just to kill.
   it doesn’t seem to matter: the answers dangle just
   out of reach,
   out of hand, out of mind.
   the leaders of the past were insufficient,
   the leaders of the present are unprepared.
   we curl up tightly in our beds at night and wait.
   it is a waiting without hope, more like
   a prayer for unmerited grace.
   it all looks more and more like the same old
   movie.
   the actors are different but the plot’s the same:
   senseless.
   we should have known, watching our fathers.
   we should have known, watching our mothers.
   they did not know, they too were not prepared to
   teach.
   we were too naive to ignore their
   counsel
   and now we have embraced their
   ignorance as our
   own.
   we are them, multiplied.
   we are their unpaid debts.
   we are bankrupt
   in money and
   in spirit.
   there are a few exceptions, of course, but these teeter on the
   edge
   and will
   at any moment
   tumble down to join the rest
   of us,
   the raving, the battered, the blind and the sadly
   corrupt.
   a great white light dawns across the
   continent,
   the flowers open blindly in the stinking wind,
   as grotesque and ultimately
   unlivable
   our 21st century
   struggles to beborn.
   his wife, the painter
   There are sketches on the walls of men and women and ducks,
   and outside a large green bus swerves through traffic like
   insanity sprung from a waving line; Turgenev, Turgenev,
   says the radio, and Jane Austen, Jane Austen, too.
   “I am going to do her portrait on the 28th, while you are at work.”
   He is just this edge of fat and he walks constantly, he
   fritters; they have him; they are eating him hollow like
   a webbed fly, and his eyes are red-suckled with anger-fear.
   He feels the hatred and discard of the world, sharper than
   his razor, and his gut-feel hangs like a wet polyp; and he
   self-decisions himself defeated trying to shake his hung beard from razor in water (like life), not warm enough.
   Daumier. Rue Transnonain, le 15 Avril, 1843. (Lithograph.) Paris,
   Bibliothe`que Nationale.
   “She has a face unlike that of any woman I have ever known.”
   “What is it? A love affair?”
   “Silly. I can’t love a woman. Besides, she’s pregnant.”
   I can paint—a flower eaten by a snake; that sunlight is a
   lie; and that markets smell of shoes and naked boys clothed,
   and under everything some river, some beat, some twist that
   clambers along the edge of my temple and bites nip-dizzy…
   men drive cars and paint their houses,
   but they are mad; men sit in barber chairs; buy hats.
   Corot. Recollection of Mortefontaine.
   Paris, Louvre
   “I must write Kaiser, though I think he’s a homosexual.”
   “Are you still reading Freud?”
   “Page 299.”
   She made a little hat and he fastened two snaps under one
   arm, reaching up from the bed like a long feeler from the
   snail, and she went to church, and he thought now I h’ve
   time and the dog.
   About church: the trouble with a mask is it
   never changes.
   So rude the flowers that grow and do not grow beautiful.
   So magic the chair on the patio that does not hold legs
   and belly and arm and neck and mouth that bites into the
   wind like the end of a tunnel.
   He turned in bed and thought: I am searching for some
   segment in the air. It floats about the people’s heads.
   When it rains on the trees it sits between the branches
   warmer and more blood-real than the dove.
   Orozco. Christ Destroying the Cross.
   Hanover, Dartmouth College, Baker Library.
   He burned away in sleep.
   on the sidewalk and in the sun
   I have seen an old man around town recently
   carrying an enormous pack.
   he uses a walking stick
   and moves up and down the streets
   with this pack strapped to his back.
   I keep seeing him.
   if he’d only throw that pack away, I think,
   he’d have a chance, not much of a chance
   but a chance.
   and he’s in a tough district—east Hollywood.
   they aren’t going to give him a
   dry bone in east Hollywood.
   he is lost. with that pack.
   on the sidewalk and in the sun.
   god almighty, old man, I think, throw away that
   pack.
   then I drive on, thinking of my own
   problems.
   the last time I saw him he was not walking.
   it was ten thirty a.m. on north Bronson and hot, very hot, and he sat on a little ledge, bent,
   the pack still strapped to his back.
   I slowed down to look at his face.
   I had seen one or two other men in my life
   with looks on their faces like
   that.
   I speeded up and turned on the
   radio.
   I knew that look.
   I would never see him again.
   the elephants of Vietnam
   first they used to, he told me,
   gun and bomb the elephants,
   you could hear their screams over all the other sounds;
   but you flew high to bomb the people,
   you never saw it,
   just a little flash from way up
   but with the elephants
   you could watch it happen
   and hear how they screamed;
   I’d tell my buddies, listen, you guys
   stop that,
   but they just laughed
   as the elephants scattered
   throwing up their trunks (if they weren’t blown off )
   opening their mouths
   wide and
   kicking their dumb clumsy legs
   as blood ran out of big holes in their bellies.
   then we’d fly back,
   mission completed.
   we’d get everything:
   convoys, dumps, bridges, people, elephants and
   all the rest.
   he told me later, I
   felt bad about the
   elephants.
   dark night poem
   they say that
   nothing is wasted:
   either that
   or
   it all is.
   (uncollected)
   the last days of the suicide kid
   I can see myself now
   after all these suicide days and nights,
   being wheeled out of one of those sterile rest homes
   (of course, this is only if I get famous and lucky)
   by a subnormal and bored nurse…
   there I am sitting upright in my wheelchair…
   almost blind, eyes rolling backward into the dark part of my skull looking
   for th
e mercy of death…
   “Isn’t it a lovely day, Mr. Bukowski?”
   “O, yeah, yeah…”
   the children walk past and I don’t even exist
   and lovely women walk by
   with big hot hips
   and warm buttocks and tight hot everything
   praying to be loved
   and I don’t even
   exist…
   “It’s the first sunlight we’ve had in 3 days,
   Mr. Bukowski.”
   “Oh, yeah, yeah.”
   there I am sitting upright in my wheelchair,
   myself whiter than this sheet of paper,
   bloodless,
   brain gone, gamble gone, me, Bukowski,
   gone…
   “Isn’t it a lovely day, Mr. Bukowski?”
   “O, yeah, yeah…” pissing in my pajamas, slop drooling out of
   my mouth.
   2 young schoolboys run by—
   “Hey, did you see that old guy?”
   “Christ, yes, he made me sick!”
   after all the threats to do so
   somebody else has committed suicide for me
   at last.
   the nurse stops the wheelchair, breaks a rose from a nearby bush, puts it in my hand.
   I don’t even know
   what it is. it might as well be my pecker
   for all the good
   it does.
   tabby cat
   he has on blue jeans and tennis shoes
   and walks with two young girls
   about his age.
   every now and then he leaps
   into the air and
   clicks his heels together.
   he’s like a young colt
   but somehow he also reminds me
   more of a tabby cat.
   his ass is soft and
   he has no more on his mind
   than a gnat.
   he jumps along behind his girls
   clicking his heels together.
   then he pulls the hair of one
   runs over to the other and
   squeezes her neck.
   he has fucked both of them and
   is pleased with himself.
   it has all happened
   so easily for him.
   and I think, ah,
   my little tabby cat
   what nights and days
   wait for you.
   your soft ass
   will be your doom.
   your agony
   will be endless
   and the girls
   who are yours now
   will soon belong to other men
   who didn’t get their cookies
   and cream so easily and
   so early.
   the girls are practicing on you
   the girls are practicing for other men
   for someone out of the jungle
   for someone out of the lion cage.
   I smile as
   I watch you walking along
   clicking your heels together.
   my god, boy, I fear for you
   on that night
   when you first find out.
   it’s a sunny day now.
   jump
   while you
   can.
   metamorphosis
   a girlfriend came in
   built me a bed
   scrubbed and waxed the kitchen floor
   scrubbed the walls
   vacuumed
   cleaned the toilet
   the bathtub
   scrubbed the bathroom floor
   and cut my toenails and
   my hair.
   then
   all on the same day
   the plumber came and fixed the kitchen faucet
   and the toilet
   and the gas man fixed the heater
   and the phone man fixed the phone.
   now I sit here in all this perfection.
   it is quiet.
   I have broken off with all 3 of my girlfriends.
   I felt better when everything was in
   disorder.
   it will take me some months to get back to
   normal:
   I can’t even find a roach to commune with.
   I have lost my rhythm.
   I can’t sleep.
   I can’t eat.
   I have been robbed of
   my filth.
   a poem is a city
   a poem is a city filled with streets and sewers
   filled with saints, heroes, beggars, madmen,
   filled with banality and booze,
   filled with rain and thunder and periods of
   drought, a poem is a city at war,
   a poem is a city asking a clock why,
   a poem is a city burning,
   a poem is a city under guns
   its barbershops filled with cynical drunks,
   a poem is a city where God rides naked
   through the streets like Lady Godiva,
   where dogs bark at night, and chase away
   the flag; a poem is a city of poets,
   most of them quite similar
   and envious and bitter…
   a poem is this city now,
   50 miles from nowhere,
   9:09 in the morning,
   the taste of liquor and cigarettes,
   no police, no lovers, walking the streets,
   this poem, this city, closing its doors,
   barricaded, almost empty,
   mournful without tears, aging without pity,
   the hardrock mountains,
   the ocean like a lavender flame,
   a moon destitute of greatness,
   a small music from broken windows…
   a poem is a city, a poem is a nation,
   a poem is the world…
   and now I stick this under glass
   for the mad editor’s scrutiny,
   and night is elsewhere
   and faint gray ladies stand in line,
   dog follows dog to estuary,
   the trumpets bring on gallows
   as small men rant at things
   they cannot do.
   a smile to remember
   we had goldfish and they circled around and around
   in the bowl on the table near the heavy drapes
   covering the picture window and
   my mother, always smiling, wanting us all
   to be happy, told me, “be happy, Henry!”
   and she was right: it’s better to be happy if you
   can
   but my father continued to beat her and me several times a week while
   raging inside his 6-foot-2 frame because he couldn’t
   understand what was attacking him from within.
   my mother, poor fish,
   wanting to be happy, beaten two or three times a
   week, telling me to be happy: “Henry, smile!
   why don’t you ever smile?”
   and then she would smile, to show me how, and it was the
   saddest smile I ever saw.
   one day the goldfish died, all five of them,
   they floated on the water, on their sides, their
   eyes still open,
   and when my father got home he threw them to the cat
   there on the kitchen floor and we watched as my mother
   smiled.
   a free 25-page booklet
   dying for a beer dying
   for and of life
   on a windy afternoon in Hollywood
   listening to symphony music from my little red radio
   on the floor.
   a friend said,
   “all ya gotta do is go out on the sidewalk
   and lay down
   somebody will pick you up
   somebody will take care of you.”
   I look out the window at the sidewalk
   I see something walking on the sidewalk
   she wouldn’t lay down there,
   only in special places for special people with special $$$$
   and
 &nb
sp; special ways
   while I am dying for a beer on a windy afternoon in
   Hollywood,
   nothing like a beautiful broad dragging it past you on the
   sidewalk
   moving it past your famished window
   she’s dressed in the finest cloth
   she doesn’t care what you say
   how you look what you do